Iranian (Persian) Rug
Afshar rugs are woven by nomads and villagers living between the towns of Shiraz, Kerman, and Yazd in southeastern Iran. Afshar design, like most Persian designs, is copied by the areas of Iran as well as other nations such Asia, Asia and Pakistan. These rugs, since many nomad rugs, are usually little. They are built in sizes all the way to 5x7 ', and occasionally bigger sizes.
Afshar rugs resemble Caucasian rugs however you like and shade. The structure is usually geometric. Some typically common styles consist of multiple connected medallions in diamond shape, single medallions in diamond, hexagon or octagon shape, or a big hexagon medallion practically within the entire industry. All-over gul farangi (flowers), botehs, and chicken-like motifs (Afshar-e-Morghi in Persian) are also typical. Another typical design is a floral medallion and corner and a vase at each end of this rug. The common colors consist of dark-red, reddish-brown, brown, dark reddish-blue, dark-blue, burnt tangerine, ocher, and camel; white, ivory and yellow are widely used to create contrast.
The symmetric (Turkish) knot is principally utilized; but the asymmetric (Persian) knot normally occasionally made use of. The inspiration is actually wool, but cotton foundation can also be seen in more modern rugs. Many Afshar rugs are marketed into the places of Shiraz, Kerman and Yazd.
The motifs found in Ardabil rugs, just like Caucasian rugs, tend to be predominantly geometric in structure and most typical designs are medallions, several attached diamond-shaped medallions, and all-over octagonal forms; however, the borders of Ardabil rugs have more themes and objects woven in them than Caucasian rugs. The colors are also lighter.
Ardabil rugs can be bought in the majority of sizes, but the majority are smaller sizes particularly zar-o-nim (3x5 ft), pardeh (5x8 or 5.5x9 ft) or runner. The rugs appear in background colors of turquoise, buff, lotion, navy and light green.
Ardabil is a city located in the province of Azerbaijan in northwestern Iran. Ardabil is a couple of kilometers south of the edge for the nation, Azerbaijan, within the Caucasus region. Rug weaving has actually a long history in Ardabil. Title Ardabil is linked to the well-known Ardabil rug woven when you look at the sixteenth century now in Victoria and Albert Museum in London, The united kingdomt.
During the reign of Safavid Dynasty inside 16th and 17th centuries similar to other carpet weaving facilities in Iran, rug weaving was at its top in Ardabil; however, during the reign of Qajar Dynasty (1794-1925) it reached its lowest point. It has been about 80 many years because this business has started production once more in a limited scale. Ardabil weavers from 80 years ago and especially during World War II, whenever carpet weaving in Shirvan alongside rug weaving regions of the Caucasus had stopped, lent from extremely successful Caucasian designs and utilized all of them in their own personal rugs.
Bidjar rugs tend to be primarily woven within the town of Bidjar and its particular surrounding villages. Bidjar is located in the province of Kurdistan in northwest of Iran. Bidjar rugs are mostly considered town rugs because whether woven in the town of Bidjar it self or its surrounding villages, they're woven inside houses in the place of workshops. The structure of Bidjar rugs is a mixture of curvilinear and geometric with curvilinear becoming dominant. The favorite colors of Bidjar weavers contains navy, cherry red, brown, light blue, green, yellowish, ocher, tangerine, beige and ivory. The symmetrical (Turkish) knot is mainly utilized although the asymmetrical (Persian) knot is seen also.
Very common themes used in Bidjar rugs may be the herati motif. This motif is visible both in the all-over and medallion designs. The trademark design of Bidjar rugs may be the herati medallion-and-corner, that has a very large hexagon-shaped medallion usually with pendants. Often a few hexagon medallions tend to be woven inside each other and so they become bigger because they get more from the center. Within design, the entire carpet apart from the borders is filled up with herati themes.
Aside from the herati motif, other all-over themes and designs utilized in Bidjar rugs tend to be boteh, mina-khani, zell-i-sultan and gul farangi.
Bidjar rugs have a tendency to possess a few small edges, and something regularly seen theme in the edge could be the Shah Abbasi motif.
Bidjar weavers overcome the weft strands from the rows of knot repeatedly through to the weave becomes exceptionally small. Consequently, Bidjar rugs tend to be thick, heavy, and remarkably durable. Since the warp plus the weft strands are securely pressed together, if Bidjar rugs tend to be collapsed, their particular foundation may break. For that reason, they ought to not be collapsed; they must be rolled.
Ferahan is a town found in the province of Markazi in central Iran. Older ferahan rugs have become popular in the West. Many ferahan rugs have a geometric design though some curvilinear rugs tend to be woven in ferahan as well. These top-notch rugs tend to be primarily woven because of the asymmetrical knot on cotton fiber foundation.
The rugs with this area are split into two sorts. Initial type is characterized by an all-over layout, frequently a limitless perform, with motifs or designs including the herati, gul hannai, boteh or mina-khani. Herati, becoming widely known theme, has many variants in addition to boteh motifs are often woven inside hexagon-shape panels.
The second type is characterized by its medallion layout. The medallions is big hexagon, diamond, or oval shapes with huge pendants. The corners are very long that they either virtually satisfy or do meet nearby the center of each and every edge for each region of the carpet. Two typical themes found in the field of these rugs would be the herati and gul hannai.
Sunburst Medallion A special style of medallion design is a sizable circular serrated medallion just like a radiating sunshine; this design is famous into the trade as 'sunburst.' The world of this design is not too crowded. A little section of a medallion the same as the guts medallion is woven at each and every end regarding the rug, interrupted because of the edge.
The palette is ruled by indigo blue, dark and other shades of green (green is much more frequently employed than in most Persian rugs), yellow and orange-red. Black or deep-blue are used for outlining the themes. How big is most ferahan rugs is do-zar (about 4.5x7 ft).
Isfahan is found in western main Iran. Isfahan rugs have now been but still remain extremely famous globally. Since Isfahan is a capital city of numerous rulers including Shah Abbas of Safavid Dynasty, many mosques, palaces and other great monuments have-been built in Isfahan, specially throughout the reign of Shah Abbas within the 16th and seventeenth centuries whenever Isfahan ended up being outstanding center of art. These buildings have actually significantly affected the rug designs of Isfahan.
One common design is founded on a big circular medallion resembling the tile (mosaic) work for the interior of this dome of the Sheikh Lotfollah's Mosque. Other styles feature Shah Abbasi medallion and place, islimi medallion and spot, woods with creatures, Shah Abbasi all-over, geometric medallion and part, and pictorals of people and nature, sometimes predicated on Safavid miniatures. Numerous colors are used in an Isfahan carpet; seldom less than 15 colors are employed within one rug. The colors most frequently used tend to be turquoise, navy, red, beige and pale mushroom. The back ground and also the borders tend to be visibly divided by typically two to five minor boundaries.